![]() "To hear Bob Weir talk about it, he wants this to continue after are done touring," Mayer explained.ĭead & Co. Mayer confirmed that he's in it for the long haul, if that's truly a possibility. carrying on the music and legacy of the Grateful Dead far into the future. Bob Weir has signaled over the years, that he likes the idea of Dead & Co. is concerned, Mayer tells Hagar's Rock & Roll Road Trip that he's not sure there's an end in sight. Burbridge's bass work was vivid, Weir's command of it all was steady and the band was all in for whatever happened next.John Mayer admits that going from popstar, to bluesman to Dead & Company and back has made for a pretty "whacky" career, but he tells Sammy Hagar in a new conversation that he's more than happy to enjoy the ride, no matter what direction it's going.Īs far as Dead & Co. Here they were, beginning their last stand of the year, soaking it all in and still finding spaces to explore. Launching the band's tour-ending three-night run at the Hollywood Bowl with an extended introduction, this performance of the song felt utterly luxurious. This Weir-led odyssey is certainly one of Dead and Company's most-played numbers, but after all of these years it it still capable of transcendence. After nimbly navigating the spacier corners of the repertoire - "Dark Star," "The Other One," "Drums" and "Space" - then the haunting ballad "Wharf Rat," Lane commandingly picked up the pace so band and audience alike could bask in the sonic sunshine daydreams of the Weir rocker "Sugar Magnolia." 13. One of Lane's peak moments was the second set of the band's first show at the Fiddler's Green Amphitheatre in Colorado. It's a song of love and loss, lovingly captured on this night flush with tenderness and grace. 11, 2001 terrorist attacks - Weir guided the band through "Looks Like Rain," one of his and lyricist John Perry Barlow's most mournful songs. At a time when the emotions of many were raw - due to factors including the pandemic and the fact that this show fell on the 20th anniversary of the Sept. This was a perfect pairing of song and occasion. ![]() "Friend of the Devil," an all-time country rock classic, continues to enchant listeners more than 50 years after it made its debut on the Dead's "American Beauty" album, and this rendition was a lush and lovely reminder of why it's one of the band's most-beloved songs. 10, DTE Energy Music Theatre, Clarkston, Michigan With so many things in the world being thrown into disarray, hearing this old wonder in fine form was incredibly heartening. Some of Dead and Company's finest moments occur when Weir and Mayer join forces to wrap their arms around songs that were showcases for Grateful Dead singer and guitarist Jerry Garcia, and there was no finer example of this tandem in action this year than on the Philadelphia rendering of the apocalyptic folk-rock odyssey "Morning Dew." The band opened the second set of its triumphant New York City return with a luxurious and exploratory 18-minute "Eyes of the World," Mayer and Chimenti's complementary leads intertwined in a sublime cosmic dance as Weir, Burbridge, Hart and Kreutzmann served as the sturdiest of terra firma - all before Burbridge unleashed his own sparkling bass solo that reverberated throughout the whole stadium. ![]() 16, Coastal Credit Union Music Park at Walnut Creek in Raleigh, North CarolinaĪ pair of Grateful Dead classics, "Touch of Grey" and "New Speedway Boogie," became anthems of perseverance for many during the hard days of the COVID-19 pandemic.Īnd while this tour-opening show began with the defiant "we will get by" chorus of "Touch of Grey," it was the gritty blues of "New Speedway Boogie" that hit the hardest, delivered with ever-enduring world weariness by Weir with sharp blues guitar leads directly from Mayer's wheelhouse.
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